The Beni Hasan Tombs and the Question of the "Provincial" in Middle Kingdom Painting
A reading of the rock-cut tombs of Khnumhotep II and Amenemhat at Beni Hasan as a coherent regional school, against the long historiographical tradition that has read them as a poor reflection of the Theban court.
The Beni Hasan tombs have for a century occupied an ambiguous place in the literature on Middle Kingdom painting. Variously praised for the freshness of their hunting scenes and dismissed for the rigidity of their procession panels, they have been read mainly through the lens of a presumed Theban court ideal — a lens which, this essay argues, has flattened a sophisticated provincial tradition into a mere comparative footnote.